Donald's Blog

  This old house was only a few blocks from the state Capitol in Madison, Wisconsin. All the neighborhood cats lived in the basement during the winter. The house has long since been torn down, but in 1972 there were AR2ax speakers in the front room, and a lot of good music was heard there.

«Sep 2010»
SMTWTFS
   1234
567891011
12131415161718
19202122232425
2627282930  
 

In the 21st century I am just as opinionated as ever, and I now have an outlet. I shall pontificate here about anything that catches my fancy; I hope I will not make too great a fool of myself. You may comment yea or nay about anything on the site; I may quote you here, or I may not. Send brickbats etc. to: dcmusicbox@earthlink.net.

 

August 11, 2010

Sometimes a Job is Done Properly, Sometimes Not

This week I received a parcel from Ted Hodgetts at JazzFirst Books in Canada, containing a pristine copy of the first USA edition of my book about Billie Holiday, then called Wishing On The Moon (1994). This was my favorite edition, as far as the actual printing and manufacture of the book went; Viking in New York did a job that could not have been bettered. And Ted had packed the book in a sizeable box, wrapped in tissue paper, with some packing peanuts and bubble wrap fore and aft, so that it was going to stay pristine. My job was to inscribe the book asnd send it on to a mutual friend.
      Also this week, one of our best customers at the bookstore where I work had to return a book he had purchased from the website. It was a large heavy art book, sent without any packing material whatsoever, so that it arrived with its corners all banged up.
      To be fair, I have purchased books from B&N.com, Amazon.com and from independent sellers of second-hand books, and never had any trouble. But one should always, as Ted put it in an email, "assume the box will be dropped off a high building somewhere along the way."
      Ted's fascinating on-line store is here.

 

August 11, 2010

Modern Music

Conductor Leon Botstein is a co-founder and an artistic director of the Bard Music Festival in Annandale-on-Hudson, New York, where for 20 seasons adventurous programming has made sense and has been successful. This month the annual event is featuring the music of Alban Berg (1885-1935), and music by contemporaneous composers. Barrymore Laurence Scherer in today's Wall Street Journal writes about the Fest, and quotes from this year's festival book, Berg and His World, by Christopher Hailey.
      Berg is presented as a member of Schoenberg's circle who actually never entirely left the Romantic era in many respects; Scherer writes about a "visceral tension in Berg's music between tonality and atonality, tradition and modernism," which he saw and heard in the art of his day.

Mr. Botstein cites an anecdote he heard from the late violinist and teacher Felix Galimer, who studied the Lyric Suite and the String Quartet, Opus 3, with Berg himself. When Galimer taught Berg's works, he would ask students why they were treating the music as if it were mathematics. "When Berg taught us this music, he used to say, 'Play it like Schubert.' " 

But it seems to me that this is just as true of a lot of other "difficult modern music that makes us ordinary listeners feel stupid." It has taken a century for musicians and critics alike to allow a performing tradition of the music in its context. Play it as though it is beautiful, and guess what: it's beautiful. Compared to Berg, Schoenberg's other star pupil, Anton Webern "embraced atonality by creating a new compositional framework to justify it," Scherer writes; but I have heard Weben's music for string quartet played with such affection that a church full of ordinary concert-goers in Austin Texas were rapt. And listen to Alfred Brendel's different recordings of Schoenberg's piano concerto, made over a period of decades, two or three of them with the same conductor: as the piece becomes part of the repertoire, it is more and more fun. The recordings of Schoenberg's string quartets made by the Kolisch Quartet on a Hollywood soundstage many decades ago are almost drenched in chicken-fat.
      There is no difficult music. But there are a great many listeners who are are going deaf listening to shopping-mall music.

 

August 9, 2010

Unintended Consequences? You Bet

California Crackup is a new book by Joe Mathews and Mark Paul, reviewed in the Wall Street Journal last week by Troy Senik. Among California's problems, writes Senik, is that it is 'hamstrung by direct democracy'. A good example, it seems, was Proposition 13 in 1978, that capped property taxes, and had 'unintended consequences'. Since the holes in the road have to be mended and the schools have to be kept open, capping local taxes meant that responsibility devolved onto the state legislature, effectively giving it more power...

Hold on. Citizens voting against taxes might have unintended consequences? Well, who would have thought it.

 

August 5, 2010

Who's a Radical? (3)

There are two columnists who are distinguished for their complete uselessness. Karl Rove in the Wall Street Journal I do not even bother to read any more; his work reminds us of his own failed career, and it's just too bad that he didn't fail sooner. But Cal Thomas, syndicated by Tribune Media Services, is so bad he's funny.
      Thomas's column last week, printed in the Morning Call, was about health care, and how awful Britain's National Health Service is. He clearly doesn't read The Economist, which recently wrote about Britain taking better care of dying people than any other country (see my note of July 18, below), but in any case, I lived in Britain for 25 years, and if there's anything that makes me laugh, it's Brits who think they know all about the USA, and American ignoramuses like Thomas who think they know all about Britain.
      This week Thomas's column is about... Well, the clunky headline in the Morning Call is 'Face fact that radical Islam out to doom us'. I'm not sure when the word 'doom' became a verb, but never mind; in the body of his piece, Thomas writes about 'radical Islam', 'radical rhetoric', and uses the term 'radical Islamists' no less than four times. Then he drags in Paul Revere near the end.
      Most of my dictionaries are still packed in boxes in the basement since my recent move across country; the only one I have to hand is Houghton Mifflin's American Heritage Dictionary. It says that a 'radical' is 'one who advocates political and social revolution', whereas 'reactionary' means 'opposing progress or liberalism.' Paul Revere, Thomas Paine, Patrick Henry, George Washington and the rest were radicals, who worked to turn the politics of their day upside down. The Islamofascists are reactionaries, who hate every change that has taken place in the world for centuries. (It is ironic that they use cellphones, computers, pickup trucks, rockets etc which they have to buy from the West; Islam has invented nothing for 600 years.)
      This week Time magazine has on its cover a brave photograph of a young Afghan woman who had her nose cut off by the Taliban because she ran away from abusive relatives: oppressing women to the point of mutilating them is not new. It is not radical. It is reactionary.
      Cal Thomas, spouting his predictable paragraphs of paranoia, cannot describe the Islamofascists as reactionary because that is what our American so-called 'conservatives' are, and always have been.

 

August 5, 2010

Poulenc's Music for Solo PIano

I have been trying to find a listing from a Schwann catalog of 1971 or so of all the recordings of Francis Poulenc's solo piano music that were then available, because I had one that brought out the humor in the music so well that it made me chuckle out loud. David Hurwitz has recommended more recent recordings by Eric Le Sage, and I am going to try those too, but the LP that I had nearly 40 years ago had such bad surfaces that I though it must have had smallpox, and I have long since lost it, and I can't remember the name of the label or the pianist.
      I thought it may have been Grant Johannesen on the Golden Crest label. Searching on the internet I discovered that that label had been started in the 1950s by a man who had a plastics factory (not the only label to have had that sort of origin) and that his daughter is now married to John Broven, the British-born author of several excellent books. So I ordered the Johannesen CD from him, and it turns out to be a compilation from Golden Crest on Vai Audio, which can be found at Amazon or B&N.com. It contains about 75 minutes of music, including the suite Les Animaux Modelèles, a sonata for cello and piano (with Zara Nelsova), and The Story of Babar (narrated by Mildred Natwick): these three pieces are each well over 20 minutes long, with no separate tracks provided on the CD, which is odd.
      Johannesen's playing is delightful, and this may very well be the album I am looking for, but I still want to examine a Schwann. And now I want to buy Broven's most recent book, which I didn't know about, called Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers, all about the independent labels that turned music upside down in the 1950s. Knowing his earlier works, Rhythm and Blues in New Orleans and South to Louisiana: The Music of the Cajun Bayous, the new one will be a chart-topper.

 

August 5, 2010

Hitch-22

Writing about the 'Troubles' in Northern Ireland in his memoir Hitch-22, published this year, Christopher Hitchens observed:

I eventually came to appreciate a feature of the situation that has since helped me to understand similar obduracy in Lebanon, Gaza, Cyprus, and several other spots. The local leaderships that are generated by the "troubles" in such places do not want there to be a solution. A solution would mean that they were no longer deferred to by visiting UN or American mediators, no longer invited to ritzy high-profile international conferences, no longer treated with deference by the mass media, and no longer able to make a second living by smuggling and protection-racketeering.

 

August 5, 2010

My Invisible Friend

Unable to sell our house in Iowa, we have decided to try to rent it, which requires a city inspection, which has uncovered termites. While I've got this new and additional expense on my mind, I have to take the dog to the vet, because he's been biting his butt, which means he needs his glands expressing. Preparing to back out of the garage, I keep my finger on the button that operates the garage door, because otherwise it might stop before it is open all the way. Meanwhile the CD player roars to life, the pianist and the orchestra arguing in Elliott Carter's piano concerto. This is what Ethne calls 'bing-bong-plink' music, and Louis doesn't care much for it, either.
      Louis put on his teasing almost-wise-guy voice and says, 'What kind of music do you call this?' 'In a world in which termites are eating West Des Moines, my dog is trying to eat himself and my garage door has a mind of its own, this is the only kind of music that makes any sense,' is my smart-aleck reply.
      I'm quite sure Louis has a nifty riposte handy, but I don't catch it, because of course he's not really there. But I can talk to him if I want to.

 

August 4, 2010

Who's a Radical? (2)

Today in the Morning Call, Sen. Patrick Leahy (a Democrat from Vermont) says 'This radical Conservative agenda is a threat', referring to opposition to Elena Kagan's nomination to the Supreme Court. In the Wall Street Journal, Dorothy Rabinowitz refers to 'another terrorist attempt by a soldier of radical Islam'. Actually, conservatives are quite open about what they think is opposition to 'judicial activism'; and the Islamofascists are likewise open about turning the clock back 1,600 years. None of these are radicals; they are reactionaries.
      I on the other hand am a radical. I would like everyone to study history and learn to read and write properly. This is very radical at a time when a video game called Starcraft II: Wings of Liberty sold a million copies on its first day of release.

 

August 4, 2010

The True Cost of Doing Nothing

Also in the Morning Call, it's reported that Governor Rendell made a plea for increasing the gasoline tax, raising the fee for vehicle registration, and a net-profits tax on oil companies, all to pay for infrastructure repairs. He was standing beneath the crumbling Tilghman Street bridge in Allentown when he made his plea. Pennsylvania has more bridges, culverts, sewers, roads etc that need repairing than any other state, and the repairs to just the Tilghman Street bridge were estimated at $5m a few years ago, $13m now.
      But Rendell is a lame duck, restricted to two terms, and the state Senate is dominated by Republicans who would rather have a bridge collapse than vote for a new tax. Selling off all the state-owned beer shops and liquor stores to their operators would probably raise enough money to fix all the bridges, but the citizens would apparently rather let collection agencies tap their wallets on behalf of local bureaucrats (as I wrote here yesterday) than look into the true cost of problem-solving.

 

August 4, 2010

Mitch Miller

One of my complaints about the Wall Street Journal would be that it prints very few obituaries, but when it does, the result is worth reading. Mitch Miller's obit in the New York Times starts out with that paper's trademark convoluted obit intro, which leaves you with the impression that Miller's greatest accomplishment was his singalong albums and TV shows; Will Friedwald's obit in the WSJ starts with a quote from Tony Bennett: 'Mitch Miller was the guy who showed everybody how to be a record producer.'
      It's too band Gene Lees didn't live a few months longer, so that he could have raised a glass at Miller's passing. Lees was one of many people who hated what Miller seemed to have done to pop music. In fact Miller came along with his outsized ego at a time when bandleaders, who decided what they would record and how they would do it, were going out of business, and pop singers were taking over, so that A&R men like Miller had to make the decisions. Miller was the first record producer in the modern sense of the term. Read about him here.

 

August 4, 2010

'Jolly Peter' by Jan Savitt?

In Will Friedwald's obit of Mitch Miller, he says that Miller was one of those rare classical musicians who listened to everything:

Oh God, yes! Hell, I was listening to Louis Armstrong, Jimmie Lunceford, Jan Savitt. I was interested in all kinds of music. All those guys had something interesting to say.

This reminds me of something. I have spent a lot of time tracking down stuff that I loved when I was a kid that has never been reissued: I have found Hugo Winterhalter's recording of Gershwin's Rhapsody in Blue with Byron Janis at the piano; a Dave Brubeck track called 'Makin' Time'; a recording of Schumann's piano concerto played by Noel Mewton-Wood. But one item still eludes me: Lee and Rose Perry once operated a roadhouse on old Highway 41 in Kenosha County, and when I was a kid they still had a box of ex-jukebox 78s, and among them, I was certain, was a blue-label Decca of 'Jolly Peter', by Jan Savitt. Savitt was a Russian-born violinist who led a dance band from the late 1930s. 'Jolly Peter' was a bouncy folkish tune played by a small group, and the record had a swinging violin solo on it. I finally found a CD reissue of Savitt's Decca 'Jolly Peter'... and it was a conventional big band arrangement, with no violin solo at all.
       Does anyone out there know what I could have heard all those years ago? Is there a list somewhere of all the recordings ever made of that tune...?

 

August 4, 2010

Do We Want a Police State?

On the letters page of a certain newspaper today, George S. Taylor of Los Altos California wants Congress to 'finish building a real wall on the southern border...I do not believe that people will walk through or drive over a 20-foot-high, one-inch-thick steel wall...'
      Among many objections to this plan, I am glad that John and Mary Coolidge did not encounter such a wall in 1620, or Calvin Coolidge would not have been born in the USA, nor would I. But mainly, the building of such a wall would cost a lot of money, which means tax money, and a great many American so-called 'conservatives' would object to paying for it. 
      Another letter on the same page I quote in full. Mel VanderBrug of Bloomfield Township Michigan asks:

Will someone please explain to me why employers are compelled by law to demand proof of citizenship, while law enforcement officers (police) are forbidden by law to request it.

I think I can answer that. Employers are required to collect income and Social Security taxes and forward them to Washington (the Social Security card ought to be proof of citizenship), as well as state taxes, and employers are also conduits to other costs and benefits, such as unemployment insurance and health care, which we wouldn't want illegal immigrants to to be able to collect, would we. Whereas law enforcement officers do not have any of these responsibilities, and should not be able to demand proof of citizenship from you or me, Mr VanderBrug, because this is not the old Soviet Union. We are not required to carry internal passports. Or as we used to say when I was a kid, 'It's a free country, innit?'

 

August 3, 2010

Polls and Polecats

Joseph DeSantis is the co-author with Newt Gingrich of a book called To Save America. He writes in a letter to a newspaper today, "Fifty-five percent of likely voters describe President Obama's policies as 'socialist' (Democracy Corps, a Democratic polling firm)."
      So what? Most Americans love their Social Security and Medicare, which are "socialist" in nature. Ask your average American what a socialist is (or a communist or a liberal or a conservative) and you will get ignorant gibberish. That is why such polls are worthless, and why, incidentally, we can have no idea what will happen in the November elections. 

 

August 3, 2010

The New Tory Prime Minister

Hugh Rifkind, of The Times of London, has written an amusing article in today's Wall Street journal about James Cameron, the new Conservative Prime Minister in Britain. Cameron has been speaking in various world capitals, and dropping a few clangers. For example, in Washington last month, he described his own country as the USA's "junior partner in 1940 when we were fighting the Nazis." In 1940 the USA wasn't even in the war yet, Russia was still on the wrong side, and Britain famously stood alone, with no partners at all, its national pride unbowed; and as Rifkind did not point out, the Royal Air Force won the Battle of Britain that year, forcing Hitler to abandon his invasion plans.
      Rifkind reports that Kevin Maguire of the Daily Mirror set a mock history test for the Prime Minister: "Nelson's column was named after which famous British admiral?"
      Mr Cameron is rather young, but this is a bit worrying. It is a lack of knowledge and understanding of history that is the cause of most of the world's problems.

 

August 3, 2010

Dropping the Ball in Afghanistan

Bret Stephens in today's Wall Street Journal writes that "The U.S. cannot remain a superpower if the suspicion takes root that we are a feckless nation." I agree with him that we should not drop the ball in Afghanistan again. Without starting an argument about whether our aim is to remain a "superpower", the trouble is that we are already viewed in some circles as feckless. The reason the Taliban are so tenacious in Afghanistan is that two of the Wall Street Journal's heros, Ronald Reagan and George W. Bush, have already dropped the ball there, and our enemies are betting that we will do it a third time.

 

Next »      « Previous