Donald's Blog

  This old house was only a few blocks from the state Capitol in Madison, Wisconsin. All the neighborhood cats lived in the basement during the winter. The house has long since been torn down, but in 1972 there were AR2ax speakers in the front room, and a lot of good music was heard there.

«Mar 2010»
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In the 21st century I am just as opinionated as ever, and I now have an outlet. I shall pontificate here about anything that catches my fancy; I hope I will not make too great a fool of myself. You may comment yea or nay about anything on the site; I may quote you here, or I may not. Send brickbats etc. to: dcmusicbox@earthlink.net.

 

March 3, 2010

Is there a complaining-about-the-tax tax?

When I first moved to Pennsylvania last fall, I immediately received a bill from a Keystone Collections Group, which I reluctantly paid, an annual one-off local school tax, I guess it was.
      A month or so ago I received a tax return from Keystone for a municipal income tax, something I never heard of before. I sent it to my accountant to take care of, along with my Federal, Iowa and Pennsylvania income taxes.
      Today I received something else from Keystone. Apparently they want a quarterly estimate of my income (and my wife’s, separately), and a quarterly payment.
      How long does this go on? How many taxes are there? Is the “earned income tax” annual or quarterly? It cannot be both. Do Ethne and I have to do this separately? Who is Keystone anyway, some politician’s brother-in-law provided with a soft living? How do I know that Keystone isn't related to the widow in Nigeria who wants to send me ten million dollars?
      The irony here is that I am a Democrat and an old-time union member; Rash Limburg or whatever his name is would probably like to drive a stake through my heart, but the fact is that I do not mind paying taxes. But so many different taxes? To whom? For what? Am I going to hear from Keystone every few weeks for the rest of my life? Is there a guide to all this? Who put this over on the people of Pennsylvania, and how did they get away with it?

 

March 1, 2010

O Pennsylvania

I am convinced that public services both government and commercial are getting worse and worse; I wonder how much this contributes to the Tea Party phenomenon. We pay our bills and our taxes and get less and less in return.
      A few days ago I wrote about a problem with Qwest, the telephone company that operates in Iowa but not in Pennsylvania, and who were apparently trying to charge me on my final bill for service I must already have paid for. That problem has been resolved, but it took a query on my behalf from Watchdog, the consumer advocate at the Morning Call, to convince Qwest to look into it.
      Meanwhile I am paying three or four times as much for my domestic energy as I was in Iowa, so I want to find out about the possibility of converting from fuel oil to natural gas. The Hoffman Brothers construction company tried to return my call, but the connection would not work; they had to try again later from another location: why is American cellphone service (and our broadband) worse than anyone else's, and why do we put up with this?
      Certain aspects of trying to get connected in Pennsylvania remind me of Britain in the 1970s, when nothing worked (I hope to heaven we don't need a Thatcher to sort us out). Trying to call UGI Utilities today to find out whether gas is available in my street, and if so how much it would cost to bring it into the house, one of their customer service numbers has been disconnected and several other numbers (at 4:30 in the afternoon) yield the message "Your call cannot be completed at this time. Please try again later." I found a number on the Internet but it went dead after I was on hold for about a minute. I finally emailed UGI and gave up for the day. I do hope natural gas is available in Pennsylvania.

 

March 1, 2010

But We'll Always Have Philadelphia

I have now visited Philadelphia three times. The first time was about 60 years ago, with my parents; I remember seeing the Liberty Bell. The second time was a dozen years or so ago when Ethne was attending some gardening jamboree; on that occasion I had lunch with the estimable Jason Greshes, leader of the Mahler-List, and I saw my daughter and my grandchildren for the first time in many years (they live not far away in New Jersey). But I did not really see much of the city. Now Ethne and I have just spend a weekend in Philadelphia, only an hour away from home, and the amenities are such as to compensate for a lot of the inconvenience of modern living.
      Ethne was judging and lecturing at the annual flower show; I saw one of those before, in Seattle, and they're fun. Next weekend she will be at the one in Chicago. These shows attract a huge, friendly, cosmopolitan crowd, and there's lots of fun stuff to look at. As a lecturer, Ethne can't be beat: some people get up there with a power-point presentation or read a speech through their noses as though they are trying to program an audience of robots; Ethne talks to the audience as though they were all her friends, and so they become her friends. She was talking about Hidcote Manor Garden, which I've heard a lot about over the years; even so, the lecture always tells me something new.
      We were able to stay at the Union League club, as [paying] guests rather than members, because Ethne had lectured there once. It was amusing. It's a beautiful old building (Empire style, c.1868) with sumptuous fittings and furnishings, swanky restaurant, a comfy bar and even a barber shop; our room had about 50 pillows and bolsters in it and was so small that there was no place to put all the pillows when we wanted to go to bed. But the bed was wonderful, and the marble bathroom was almost as big as the bedroom. Perhaps because it is a privately-owned hotel, the TV was easy to use (no porn, no advertising), and to my surprise I was able to open the window on the fifth floor. I did not want to pack a change of clothes for only two nights away, but Ethne said, "Don't you want to have your jeans to slop around in?" So I wore my jeans: comfortable, warm for February, practical. But the Union League club has a dress code. After I'd changed my trousers a couple of times I gave up on the jeans.
      We were centrally located, with the convention center, the Reading Terminal Market (lots of good food, including Bassett's ice cream shop), Macy's, Barnes & Noble, Borders and FYE close by, and the Philadelphia Museum of Art a short taxi ride. The museum is said to be the largest stone building in the USA; on Friday night we heard a jazz trio there, vibes, bass and drums, subbing for a 13-piece salsa band who'd canceled because of the weather (the forecast had been doubtful, but the weather was splendid). We saw a lot of lovely American art and furniture and I look forward to many more visits.
      I mentioned FYE ("For Your Entertainment"). Most people know this as a chain of grubby stores in shopping malls that sell trashy videos and games to kids, and pretend to carry music. There's one in West Des Moines at the Jordan Creek mall and one in the Lehigh Valley Mall in Whitehall where I work a few hours a week at a Barnes & Noble, and they are not much use. But the FYE in downtown Philadelphia, where Tower Records used to be and serving a city of three million, is the best full-service record shop I have seen in many years; I don't know how it has survived. ("Records" of course means "recordings", not necessarily on vinyl, for any young people who may be reading.) I love Waterloo Records in Austin, and the Jazz Record Mart in Chicago, but the FYE in Phildelphia not only sells pop and rock, not only has a Von Freeman record on the Nessa label in the jazz department, but has the only decent classical record department that I know of. I spent half a morning there; I purchased Chamber Music From Theresienstadt 1941-1945 on the Channel Classics label, music by Gideon Klein and Viktor Ullman, who were murdered by the Nazis, a CD I would not have seen anywhere else; and on my way out, I found my favorite recording of Weber's Der Freischütz, conducted by Joseph Keilberth, once on Seraphim LPs and now on CD at last, for less than $14. I spent a good bit of time chatting with classical manager Ken Horowitz, a gentleman and a scholar who survives from the Tower years.
      On Chestnut Street we also discovered DiBruno Brothers, one of those foodstores that's like Aladdin's cave, and Boyds, a high-class clothing store that has a good selection of suspenders (braces, for any Brits who may be reading). So in Philadelphia we've got culture and retail therapy: what more could we ask?

 

February 24, 2010

Diane Wittry and the Allentown Symphony Orchestra

We attended the Allentown Symphony's Romeo & Juliet program on Saturday 13 February, in Symphony Hall downtown. It was a Romeo & Juliet program (Valentine's Day weekend) and featured music by four different composers, including a generous chunk of Berlioz's four-hour opera on the subject. In the first half there were ballet dancers on stage in front of the orchestra. But the interesting part was interspersing four scenes from the Romeo & Juliet music of David Diamond with six from Prokofiev. It worked a treat! As we are members of the Allentown Symphony Association, we received an email asking us what we thought. Here is what I wrote:

I would not have associated David Diamond with Prokofiev, thinking of Diamond as contemporary (he only died in 2005) while Prokofiev died over 55 years ago (his death in Russia almost unremarked, because he died the same weekend as Stalin). But they wrote their Romeo & Juliet music within a few years of each other (c.1935-1947). Alternating scenes of Prokofiev and Diamond was a brilliant idea; the music was seamless. We did not attend the pre-concert talk and there was not enough information in the program: whose idea was this?

The dancers did what they did very well, it seemed; I am no judge. After the interval, the Love Scene by Berlioz was equally enjoyable, very beautiful in fact, and the chance to hear it was valuable. Bernstein's music from West Side Story seems overexposed to me, but no doubt I was in the minority on that.  

As far as the orchestra is concerned, standards among second-tier bands have been rising for many years. Since 1998 I have been impressed with the Austin S.O. under Peter Bay, I enjoyed the Des Moines symphony conducted by Joseph Guinta a few times, and we first heard the Allentown band turning in a creditable Brahms Fourth a few weeks ago. But the Romeo & Juliet evening was outstanding. All of this music bristled with flourishes, solo bits, tempo changes and so forth, and it was carried off with the utmost aplomb. Congratulations to Allentown and its conductor Diane Wittry!

I should also have mentioned the very fine string playing in the Berlioz, which was a love scene, after all. But my email response was immediately forwarded to Diane Wittry, who quickly responded, and who was responsible for stringing together Diamond and Prokofiev, and who has quite a history of doing things like that, including a semi-staged Peer Gynt some time ago. She is also a composer, and will be playing one of her own pieces soon. So it looks more and more as though Ethne and I have landed in a good place, and as much as we loved Austin, it is a nice coincidence that Diane Wittry and Peter Bay are friends, having met at the Aspen music festival.  

There are lots of good conductors around, by the way, who almost never make records nowadays. I should mention Joel Lazar, with the Symphony of the Potomac; Sybille Werner, whose very good Mahler 6th I have on a videotape; and Peter Olson, who makes a huge success of the MahlerFest in Boulder every year. If only we had a TV network or a cable channel that could broadcast the riches we have among us.

 

February 24, 2010

Music from the Ceiling

Gratuitious music in public places is bad for music, but Americans are going to put up with it, perhaps because they are already tone deaf. I can report however that there are two grocery stores in my area that play chamber music instead of popcrock. Wegmans in Tilghman Street in Allentown is our favorite supermarket, and The Fresh Market at the Promenade Shops in Central Valley Parkway is a smaller, even more special place. (The Fresh Market is so special it doesn't sell lottery tickets, so I have to go somewhere else to invest in my pension plan.) In either store, it is a pleasure to hear small-group music for piano and strings and sometimes woodwinds, instead of the ubiquitous bawling adolescents.

The Promenade Shops are in the Saucon Valley (Central Valley is the local village), and it is much the nicest shopping mall I have seen for many years. The whole thing is high class, from the restaurants and the cinema to L.L. Bean. In the Barnes & Noble store there, the popcrock they are bribed to play can be heard all over the store, but it's relatively quiet except in the music department itself. I always like Barnes & Noble stores, but that one is exceptionally civilized.

 

February 24, 2010

The Rock And Roll Hall of Fame

Speaking of bawling adolescents, I was interviewed this morning on the phone by John Soeder, from the Cleveland Plain Dealer, who is writing an article about the Rock And Roll Hall of Fame. No, John is not a bawling adolescent, but I am afraid I gave him an earful. Here's the money quote: "The idea of the Rock And Roll Hall of Fame always suggests to me a generation calling attention to itself, like 'Hey, look at us! We're baby-boomers!'" John's piece will be published in March sometime, and I'll make note of it here.

 

February 24, 2010

Would you pay to read this?

Would you pay $10 every time you wanted to read my blog? Of course not; you don't have to read it at all. But you do have to have medical care. Nicholas D. Kristof's column in the New York Times on February 20 was hilarious: he asked, What if the news industry were like our unreformed health care system? Read it here.

 

February 24, 2010

The End of the Democrats?

Still working in the car factory, I was a student at the University of Wisconsin/Parkside in 1968, and among my courses was Political Science (if that isn't an oxymoron). (During that period my brother called me a "liberal-intellectual", but I didn't know what he was talking about.) I campaigned for Hubert Humphrey, going around sticking picket signs in people's lawns; and I wrote a paper for school called "Will the coalition hold once more?"

Well, it didn't hold, and we got the crook Richard Nixon, the first president who ever had to resign the office; and now, over 40 years later, the Democrats seem to have forgotten that they ever had a coalition, and don't know how to go on the offensive to save the very people who should be their supporters. Thomas Frank's column in the Wall Street Journal today reads almost like an obituary: "The free-market system blunders into recession; its victims flock to the free-market banner. And here we go again." There's no link, so go out and buy the paper. It's always worth it on Wednesdays just for Frank.

 

February 24, 2010

Poor Toyota (Long live Toyota!)

Speaking of the Wall Street Journal, on the same page as Thomas Frank there's a rare opportunity for me to agree with Holman W. Jenkins Jr in his "Business World" column. Today he imagines an inner monologue of Akio Toyoda as he prepares to testify in a congressional hearing.

The field day the press has been having with Toyota's sticking gas pedals is greatly overdone. Regular readers of this space will know that the State of Pennsylvania's ridiculous inspection requirement is forcing me to get rid of my beloved 13-year-old Ford Ranger; Toyota is going to be offering mighty good deals because of all this (phony) bad publicity. I might just have to change brands.

 

February 24, 2010

What the...?

Express Scripts®, Inc. is a method of obtaining one's prescriptions conveniently and at a savings, associated with Capital BlueCross. Recently Ethne's attempts to use the system failed completely, the prescriptions not arriving for weeks while she ran out of meds she is supposed to take every day. So she complained, and today came a letter from Capitol BlueCross:

We would like to advise you that we have addressed your concern with Express Scripts, Inc. As a result of privacy and confidentiality concerns, we are unable to share the specific course of action with you. The Capitol BlueCross review procedures comply with the relevant regulations and accreditation standards.

If you are dissatisfied with this resolution, you may file a formal complaint...

Not a word about how one is to pass judgement on a resolution which remains a secret. Is anyone in charge?

 

February 18, 2010

Speaking of telephone companies

Our David is now in boot camp at Fort Jackson, South Carolina, where he has no computer or cellphone, and might get to use a phone while he does his laundry. We sent him phone cards of a sort recommended for use by the military; all the men want to use the phone so they have to keep their calls short, we have never talked to him for longer than two minutes, and the telephone company charges his card for 15 minutes! They're even cheating the kids in boot camp, who are practically incommunicado and have no recourse!

 

February 18, 2010

He probably had to walk to school, too

Some curmudgeon had a letter published in the Morning Call today:

In an article from Tribune Newspapers about keyless entry and ignition, the authors write that "Industry officials note that the devices are wildly popular." Oh, no, they're not. I first came across this problem when I bought a second-hand pickup truck nearly ten years ago, and had to have the keyless entry system disabled because it didn't work properly, so that half the time I couldn't get into my own truck.
       I did not ask for a vehicle which beeps and bongs at me. I did not ask for my telephone to be replaced by Dick Tracy's wrist radio. I did not ask for my TV to be replaced by a maze of wires, cables and digital boxes, which beep and bong at me. Corporations shove all this stuff at us and we have to like it or lump it, but that doesn't make it popular. Ask anyone who wasn't born yesterday.
I didn't catch the guy's name.

 

February 17, 2010

Lots of Laughs

"I don't belong to an organized political party," said Will Rogers. "I'm a Democrat." The main difference between the two political parties nowadays is that the Democrats pretend to have their hearts in the right place as they practice the same old same old, or may even believe it, while the Republicans make no bones about being out to wreck whatever most people want, because they know best. No matter who is in power, the result is gridlock. So in the Wall Street Journal this morning, Evan Bayh is not allowed to have his own reason for deciding to retire from the Senate, namely that body's dysfunction; the reason must be "the failure once again of liberal governance." And John Fund on another page recalls approvingly Ronald Reagan "pointing to California's nascent Proposition 13 tax revolt--the 'Tea Party' of its day." That was in 1978, the beginning of the destruction of Lotus Land, where the people wanted lots of government services but didn't want to pay for them. All we thoughtful observers can do is chuckle up our sleeves.

 

February 17, 2010

It's the Same Everywhere

I've been ranting about too many rules and regulations on us ordinary people, while the financial industries were deregulated to the point where they could gamble away the economy. Qwest wants me to pay for services that I thought I was already paying for several months ago. I spent all day yesterday getting Ethne's car inspected on behalf of the state of Pennsylvania; my poor old Ford Ranger cannot even be inspected, because an idiot light is glowing on the dashboard: it gets me back and forth to work perfectly well, but I will be forced to junk it or trade it in. Now I read in the paper that most cars nowadays have 'black boxes' in them just like airplanes. Now comes an email from our English gardening chum Mark Brown, who lives in France. His telephone service was completely useless for months, and calls to Orange obtained only excuses; he finally wore them down until they sent a technician to fix a faulty circuit breaker at a junction box down the road.

 

February 17, 2010

The Triumph of Time

A review in the Times Literary Supplement for January 29 by the excellent Paul Griffiths of two books about music: Antithetical Arts, by Peter Kivy, 'On the ancient quarrel between literature and music', and Why Music Moves Us, by Jeanette Bicknell. A long, interesting article considering such questions as, What is absolute music? One  contributor says that Mahler's music leaves him with the feeling that he has "shared to the full in the existential depth of the personality, lived the life." Griffiths says that Kivy, in discussing Shostakovich's Tenth Symphony,

asks what difference it would make if Solomon Volkov's discredited Testimony had been authentic, so that we knew the composer meant the work to be "about Stalin and the Stalin years", and he briskly concludes we would "have strong reason to re-classify it as a program symphony. It is as simple as that."

Griffiths very sensibly thinks it's not that simple at all. The question would be whether the music can stand up by itself; the listener is not required to pay attention to any program. (But he skates over the question of whether Volkov's book has been discredited. Volkov could not prove that it was based on interviews, but a lot of people have confidence in the book, including people who knew Shostakovich, while contrarians dislike it for their own reasons.)
       Much of the discussion of music itself is academic; we simply do not know why or how music moves us. But Griffiths' last paragraph made me sit up:

Music has within it immense powers of representation on which neither Kivy nor Bicknell cares to touch, for it can represent--fast or slow, purposeful or aimless, unidirectional or tangled--the flow of time. The great works Kivy admires all concur in representing progress towards achievement, culmination, fullness, wholeness. How could such music not have us in its thrall?

Precisely. Time is another dimension. If I am standing next to a haystack and I allow myself to fall upon it, I am not only falling forward, and downward, but I am falling through time. We do not fully understand time, any more than we fully understand music: if I call fall forward, I can also fall backward, but time travels in only one direction: if I could fall back up, I would still be falling through time that can never be recovered. There is only one end to our time travel, and that is death. Music above all the arts helps to soften that sting: it is a function of time passing, decorating it, explaining it, justifying it.

 

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